Chick Corea - The Musician

Chick Corea first laid eyes on New York’s Greenwich Village in 1959, fresh from high school, with a head full of music that only he could have imagined. With this new release The Musician, recorded in the epicenter of Chick’s original NYC haunts and more than 50 years later, Corea finally brings all that music together at once.

The new live 3-CD captures Corea’s 70th birthday celebration at the famed Blue Note Jazz Club in 2011, where he assembled a staggering lineup of musical friends and fellow-travelers – among them Herbie Hancock, Bobby McFerrin, Wynton Marsalis, John McLaughlin and Stanley Clarke – for a month-long residency featuring 10 different bands, including triumphal sets by his own Chick Corea Elektric Band and Return to Forever.

The CDs capture almost four hours of live recordings of every band.

3 CDs with "Captain Marvel," "Light As a Feather," "I Hear a Rhapsody," "Spirit Rides," "Special Beings," "I've Got the World on a String," "Spain," "Your Eyes Speak to Me," "If I Were a Bell," "Nefertiti," "Dolphin Dance," "Ritual," "Cantaloupe Island," "Silver Temple" and more! Concord Jazz.

The Musician is one of the great portraits of a true genius in his prime, at work. In every musical setting, Corea’s long history of creative adventurism made for the ultimate present-tense music. The title of the set followed naturally.

"That’s what the story’s about. It’s about musicians, being musicians,” Corea says. "When people ask me, ‘What did you learn from Miles?’ – that’s the salient thing that I took from my experience. Miles just let his musicians be themselves. He let them be musicians.”

The Musician is a look at Corea’s ongoing creative journey, one that never rests for long. His constant innovation as a composer, piano player and bandleader have earned him just about every award available to jazz musicians, including his status as a Downbeat Magazine Hall of Famer and NEA Jazz Master. He sits at #4 on the list of artists with the most Grammy nominations of all time. From straight-ahead to avant-garde, bebop to jazz-rock fusion, children’s songs to chamber works – all of which are embraced on The Musician – Corea has touched an astonishing number of musical bases in his career.

"One question I’m asked all the time is what setting do I like best – trios or full bands – or which musician do I like best to work with? Do I like to play the piano more than the Rhodes? The answer to any of those questions is the same, really – it’s all so less in importance to the act of creating, and the act of collaborating with another musician.”