Doomcannon - Renaissance

Brownswood Recordings are happy to present the debut album ‘Renaissance’ by South-London virtuoso DoomCannon. In the first solo project brimming with free jazz compositions and new contemporary flare, and as a pioneer of the nascent UK Jazz scene, DoomCannon presents a meticulously crafted debut album journeying through an awakening and reimagining of the young Black British experience.

‘Renaissance’ signifies the birth of a new era in DoomCannon’s trajectory, inspired by an accumulation of experiences over the past four years and defined by significant events like the global pandemic to the worldwide outcry of the Black Lives Matter movement in the summer of 2020. DoomCannon aspired to create a concept album, fashioning accessible music and home to a powerful universal message of equality and humanity, where listeners are invited to conceive a world beyond the society we currently live in. A world far from the UK’s colonial past and present, where human experience and compassion is at the epicentre of Government agendas, free from systemic injustice - where equality and community spirit reigns supreme.

Sequentially moving through a rich breadth of soundscapes, opening with ‘Dark Ages’ that introduces the current state of the world consumed by greed and confusion, with distorted echoes of ‘I want more’ swirling through a dense sonic atmosphere. In contrast, the serenity of ‘Entrance To The Unknown’ is a solitary moment of reflection. DoomCannon likens this to the start of an apocalyptic movie, where the main character breaks the fourth wall, directly addressing the audience, and the lines between fiction and reality are blurred. A balladic moment ushering in this new aforementioned era. ‘Amalgamation’ is a commentary on depleting measures of community spirit in society, signified by the frantic, disjointed opening that culminates into one unified symphonic climax. With the light of optimism and hope shining through on ‘This Too’ - uplifting dilla-esque drum beats pulsate throughout, continuing this illumination through an intimate piano solo in ‘Times’ that builds like the warmth of a sunrise, featuring distinctive vocals by Lex Amor, slowly infiltrating with quietly reassuring whispers and enchanting saxophone riffs. ‘Renaissance’ draws to a close with a succinct prologue that powerfully addresses DoomCannon’s ambition, creating the perfect conditions to absorb its impactful message of ‘Black Liberation’ - expressing a deep wish for equality, an end to police brutality, social injustices and a call for a profound sense of community in UK culture; as DoomCannon expresses:

“When writing the album, it felt like a transition from writing in other bands and being a part of other people’s projects to having my own voice and to speak about my Black British experience growing up around London. There are things I had to “unlearn”, ways I had to shape myself and my views on the world; greed, corrupt governments and police brutality within the UK and my stance on it all. ‘Renaissance’ is my letter to London about how it raised me and shaped who I am today.”