John Escreet - Seismic Shift

Pianist John Escreet, hailed by Time Out London as a “transatlantic jazz genius,” continues his artistic ascent with the bold, exploratory new album Seismic Shift (Whirlwind Recordings). It is Escreet’s ninth album as a leader but his first at the helm of a trio, and also one of the first to see release since his move to the West Coast in early 2020.

The UK native, former Brooklynite and now Los Angeles transplant teams up with fellow Angelenos Eric Revis (bass) and Damion Reid (drums) for a set brimming with fire and invention. Seismic Shift offers ground-shaking evidence that Escreet, with his limitless technique, harmonic imagination and refined grasp of the improviser’s art, ranks as one of the top pianist-auteurs of our time. Equally at home in mainstream, electric, avant-garde and world jazz contexts, he has also built a reputation as a versatile sideman and collaborator with credits including Antonio Sanchez, Tyshawn Sorey, Amir ElSaffar, David Binney, and Evan Parker to name a few.

The world of Seismic Shift is on one level what the title implies: it involves tumult, rupture, earthquake. Escreet and his colleagues unleash a lot of power, whether freely improvising, sculpting sound with extended techniques, or for that matter playing elegant tonal harmony. “Any music I present needs to be varied,” Escreet says. “There needs to be beauty alongside the wild moments, moments of tonality against moments of abstraction. Most of all, any idea put forward, whether composed or improvised, needs to have clarity and purpose.”

As Escreet found after playing a post-pandemic “comeback” gig with Revis and Reid for the first time in June 2021, clarity and purpose is something that happens easily with this trio. While circumstances brought the three together in LA, they had all made their professional reputations on the New York music scene. Revis, an esteemed leader in his own right (Sing Me Some Cry, Slipknots Through a Looking Glass), with vast experience ranging from Branford Marsalis to Peter Brötzmann, is one of the world’s most compelling personalities on upright bass. “Eric’s sound and presence are so strong it feels like the center of the universe,” Escreet marvels. Reid, whose credits include Robert Glasper, Rudresh Mahanthappa, Steve Lehman and more, shares with Escreet a highly compatible rhythmic sense. “He hears all the details and nuances of whatever I’m doing,” the pianist adds, “and can match me energy-wise at any given moment. We hung out a lot over the pandemic as we live not far from each other, so we spent a lot of time shedding ideas together as a duo. The whole process evolved very naturally.”