Joni Mitchell - Miles of Aisles / 180 gram vinyl 2LP set

Remastered by Bernie Grundman under the supervision of Joni Mitchell.

This is a truly superb record album by a triumphant Ms. Mitchell, a vocal tour de force. It is one of the finest, if not the finest live albums ever made. A truly remarkable new Joni is heard here. Her delivery is so much assured and emphatic that it totally captivated me. She really must feel best in live surroundings, singing to and for people who can be seen, touched, and responded to. The way she lifts her voice assuredly through Cold Blue Steel and Sweet Fire shows just how much a singer she is. Her version of Woodstock is a masterpiece. Her band, The L.A. Express, plays a big role in making this cut a beauty and they manage to maintain their posture throughout the parts of the album where they have the experience of sharing the making of fine music with Joni Mitchell. Loud applause to Elektra/Asylum and the Wally Heider remote recording unit for their role in making this fine music. Surely their presence affected the performance; the result is a totally positive enhancement and exhilaration to all in attendance. The recording leaves nothing to be desired. A little hiss at the start of Cactus Tree is forgivable, because the good sound surrounds it, and because you can lose that electronic sound back in the shadows of the performance.

All 18 songs on the album are stunning. The sequencing and the tempo of the program make one want to listen straight through. Don't play this album just before an appointment; you'll probably be late. Armed with 18 winners, it's hard to choose the notables. But her new versions of songs like Blue, You Turn Me On, I'm a Radio, and, Circle Game are my personal favorites. Two love songs, Jericho, and Love or Money, are most appealing of all to me.

Miles of Aisles will be around as a sterling stand-out recording for a long time. I have not heard a record that was so satisfying on first hearing for a long time.

The recording responds exquisitely to any form of quadraphonic synthesizing (ambience) as well as real SQ or QS range. This recording is so clean and rich that only a half-track 15 ips tape could surpass it. Believe me, that is saying a lot for a commercial disc.

Audio Magazine
May 1975