1976 release
Liner notes:
On Tuesday, Wednesday and Thursday nights, Son Seals plays at Queen Bee's, a blues club on Chicago's South Side. Most weekends, he's on the road.
For a bluesman like Son, going on the road doesn't mean whizzing around the country in a private Lear jet. It doesn't mean Denver today, San Francisco tomorrow, and Los Angeles the next day. Rolling Stone photographers can't capture Son's every backstage move. Not once has Son been whisked away in a Mercedes Benz to the Celebrity Suite at the Hyatt Regency Hotel.
When Son and his band go on the road, they load up the instruments and amplifiers themselves, at two in the morning, after their last set at Queen Bee's. Son then heads for a nearby rib joint to get some coffee. Two or three cups later, he's as ready as he's ever going to be for the eight hour drive to Des Moines in his secondhand Bell Telephone van.
There's nothing exotic about the trip from Chicago to Des Moines. Straight out Interstate 80, past Joliet, LaSalle, and Davenport, stopping only for gas and more coffee. Around noon, Son and his band of merry, overcaffeinated bluesmen finally pull into town. They stop for a quick greasy-burger then head straight for the Motel 6 to get a couple hours of sleep. Each of their suites at the motel comes fully equipped with a coin operated black and white TV.
That night, as Son walks onstage at the club, he's not thinking about a Jacuzzi whirlpool bath in a Hyatt Regency Celebrity Suite. He's not thinking about a bottle of Dom Perignon in the back seat of a Mercedes Benz. He's thinking only about playing. What else is there to think about? The bad coffee? The coin operated TV? The rent, groceries, and other exciting things he'll be able to pay for when he gets home?
Son hits that first note on his guitar hard. He hits it again, then slams his hand high up the neck and wrings out a harsh cluster of notes. Each is raw and clear and pierces through the club, all the way back to the johns. As the last note is dying, Son turns, nods, and the band comes in behind him.
Already Son's beginning to sweat. Whether he's performing in Chicago, Boston, Montreal, Stockholm, or Des Moines, Son's playing is always intense and hot, right from the start.
For sixteen years, Son's been playing and singing his fierce, unrelenting style of blues, night after night. He started out at the internationally unknown Chez Paris club in Little Rock, Arkansas. At the age of eighteen, he went on the road with legendary guitarist Earl Hooker and then with Albert King. He moved to Chicago's South Side in 1971 and began playing in the city's countless blues clubs, often jamming with Junior Wells, Hound Dog Taylor and James Cotton. In 1973, Son recorded his first album; that album took him back on the road, this time as the leader of his own band.
Sixteen years of playing, night after night. Each night, Son hits those first notes hard. Each night, the heat keeps building. Through the slow, harsh blues. Through the raunchy funk tunes. Through the wildly hard rocking shuffles. By midnight the club's full and the crowd's screaming and stomping. By midnight, Son's burning.
-- Richard McLeese
(014551470823)
SKU | 014551470823 |
Barcode # | 014551470823 |
Brand | Alligator Records |
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